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Guests must be at least 18 years to attend and each individual patron will be asked to present valid photographic ID before being permitted entrance to the show. If valid ID is not presented, they will not gain access to see the show nor any refund or exchanges of ticket or travel expense incurred.
Magic Mike Live does use strobe lighting as well as theatrical smoke throughout the performance.
The Theatre at the Hippodrome Casino has undergone a multi-million-pound transformation to create an intimate, state-of-the-art new home for the show that The Sun calls, "... the sexiest, steamiest show in town!". The Channing Tatum crafted, 360-degree dance and acrobatic spectacular is made for a woman's gaze but directed at a woman's heart. Equal parts empowering and exhilarating, whether you're looking for the perfect date night or an unforgettable girls night out, don't miss the show that the Metro called "Red-hot magic!" Limited capacity - be sure to book now!
For The O2's full terms and conditions relating to Ticket sales and admission, please click HERE
For this show, you’ll need to display your ticket on your phone via The O2 or AXS app. Ticket purchasers will receive an email from us with news and information on AXS Mobile ID tickets and AXS Official Resale – which gives you a safe, simple, and fair way to buy and sell tickets. For more information see here.
Selling tickets for a show is simple, and in just a few steps, you can have the tickets live on the axs.com purchase flow in the sight line of thousands of customers – for more information – please see here
If you have bought tickets for this show, then AXS Official Resale is the only legitimate place to re-sell your tickets. Please note: If you purchase resale tickets for this show through any website other than the venue website or axs.com, your tickets may not be valid and access to the venue could be refused.
Children under 15 must be accompanied by an adult aged 18 or over
Running time: 2hr 15min (inc.interval)
Age restriction: Children under 5 will not be admitted.
Babes in arms and children under the age of 5 will not be permitted. All children need their own ticket. Latecomers may not be permitted. Please allow extra arrival time as there are multiple entrances to the seating area once inside the theatre. A note about Gallery Tickets: Access to the original Public Galleries is up a flight of stairs, with no lift access. Once at Gallery level, the steps to access Rows C and D are steep with extra steps. Seats in Row A have narrow access and 2 extra steps. All steps in the Galleries are narrow. These seats may not be suitable for patrons with access requirements or vertigo sufferers. Hearing loop may not work for patrons seated in the North and South Gallery. There are no toilets on the Gallery level. A note about Stalls Tickets: There is a lift from Street level to the foyer/Box Office. There is a lift from the foyer to the Courtroom Stalls Chamber ONLY. Row F is the only row for step-free access. There is a wheelchair space available in row F suitable for those wishing to remain in their wheelchair for the duration of the show. Hearing Loop should work for all seats in the Courtroom Stalls. We advise that patrons with access requirements check with theatre's box office before purchasing tickets.
PLEASE NOTE: Latecomers may not be permitted. Please allow extra arrival time as there are multiple entrances to the seating area once inside the theatre.
A note about Gallery Tickets:
Access to the original Public Galleries is up a flight of stairs, with no lift access. Once at Gallery level, the steps to access Rows C and D are steep. Seats in Row A have narrow access due to the original features of the grade II listed galleries. These seats may not be suitable for patrons with access requirements or vertigo sufferers. We advise that patrons with access requirements check with theatre's box office before purchasing Gallery tickets. There are no toilets on the Gallery level. Courtroom Stalls is the preferred level for seating.
Step inside the magnificent surroundings of London County Hall and experience the intensity and drama of Agatha Christie’s gripping story of justice, passion and betrayal in a unique courtroom setting.
Leonard Vole is accused of murdering a widow to inherit her wealth. The stakes are high - will Leonard survive the shocking witness testimony, will he be able to convince the jury, and you of his innocence and escape the hangman’s noose?
PLEASE NOTE: Latecomers may not be permitted. Please allow extra arrival time as there are multiple entrances to the seating area once inside the theatre.
A note about Gallery Tickets:
Access to the original Public Galleries is up a flight of stairs, with no lift access. Once at Gallery level, the steps to access Rows C and D are steep. Seats in Row A have narrow access due to the original features of the grade II listed galleries. These seats may not be suitable for patrons with access requirements or vertigo sufferers. We advise that patrons with access requirements check with theatre's box office before purchasing Gallery tickets. There are no toilets on the Gallery level. Courtroom Stalls is the preferred level for seating.
Author, columnist, and comedian Steve Hofstetter is often called the hardest working man in show-business. With all due respect to the late James Brown.
Hofstetter's national TV debut came on ESPN's Quite Frankly, where Stephen A. Smith yelled at him for three minutes. Hofstetter has also appeared on CBS' "Late Late Show With Craig Ferguson", Showtime's "White Boyz in the Hood", VH1's "Countdown", Sundance's "On the Road in America", and ABC's "Barbara Walter's Special", where he thankfully did not cry. He is the host and executive producer of "Laughs" on Fox networks, where he only cries occasionally.
One of the top booked acts on the college circuit, the original writer for collegehumor.com has also released six albums. Hofstetter has written humor columns for the New York Times, SportsIllustrated.com, and NHL.com, where he publicly admitted to being a Ranger fan.
After hosting Four Quotas on Sirius Satellite Radio for two seasons, Hofstetter moved to broadcast radio, and his Sports Minute (Or So) was syndicated on over 170 stations and in over 30 newspapers. Hofstetter's second live comedy album ("Cure For the Cable Guy") reached #20 on Billboard's comedy charts. His third album ("Dark Side of the Room") was the first ever pay-what-you-want" comedy album, since people were going to steal it anyway. His fourth album consisted of an hour of 100% ad-libbed material, which is, frankly, nuts. And his fifth album hit #1 on iTunes' comedy charts, which is also a bit nuts.
Hofstetter's brutal tour schedule consists of over 100 colleges and dozens of clubs every year, and is fueled by an immense online popularity, tons of press, and a Prius with great gas mileage. He reached 200,000 friends on Facebook (still the world record), 400,000 more on MySpace, and high shelves in grocery stores.
While Hofstetter's live shows are routinely sold out, he is best known for his writing, first published at age 15, mainly to impress girls. At 18, he co-founded "Sports Jerk of the Week", an irreverent website featured by press like USA Today's Baseball Weekly, Sports Illustrated and CNN. And at 20, Hofstetter took a year off of school to head up web content for the New York Yankees. The Yankees won the World Series that year, which would have been wonderful if they hadn't beaten Hofstetter's Mets. Yes, he's also a Mets fan. Poor kid.
While an undergraduate at Columbia University, Hofstetter was a well-read columnist for the Columbia Daily Spectator and a voice of the Lions. After a summer writing for Maxim, ESPN, and Sports Illustrated for Kids, Hofstetter syndicated his column in several newspapers.
Without his glasses, Hofstetter also looks a great deal like Michael Rappaport.
AGE RECOMMENDATION: 6+ Younger guests are welcome although the production is not suitable for under 4 years old (including babes in arms). Younger children and babes in arms are welcome at our relaxed performances. Children need to occupy their own seat at all times through the performance. All persons aged 16 or under must be accompanied by an adult and may not sit on their own within the auditorium. All persons entering the theatre, regardless of age, must have a valid ticket.
Don’t miss the theatrical event of 2025 as the record-breaking, award-winning My Neighbour Totoro transfers to London’s West End. Find your spirit with the return of the “awe-inspiring” (Time Out) production of Studio Ghibli’s My Neighbour Totoro, in collaboration with Improbable and Nippon TV.
Following two rapturously received, sell-out runs at the Barbican, discover this five-star, ground-breaking “triumph” (Telegraph) at the Gillian Lynne Theatre from 8 March 2025. Winner of six Olivier Awards, this “utterly beguiling” (The Stage) and “jaw-dropping” (Metro) staging of the celebrated 1988 animated feature film is brought to you by the Royal Shakespeare Company and Executive Producer Joe Hisaishi, and adapted by Tom Morton-Smith (Oppenheimer).
Hailed as “a tender and remarkably beautiful show” (Financial Times), My Neighbour Totoro is an enchanting coming-of-age story exploring the magical fantasy world of childhood and the transformative power of imagination, as it follows one extraordinary summer in the lives of sisters Satsuki and Mei.
Author, columnist, and comedian Steve Hofstetter is often called the hardest working man in show-business. With all due respect to the late James Brown.
Hofstetter's national TV debut came on ESPN's Quite Frankly, where Stephen A. Smith yelled at him for three minutes. Hofstetter has also appeared on CBS' "Late Late Show With Craig Ferguson", Showtime's "White Boyz in the Hood", VH1's "Countdown", Sundance's "On the Road in America", and ABC's "Barbara Walter's Special", where he thankfully did not cry. He is the host and executive producer of "Laughs" on Fox networks, where he only cries occasionally.
One of the top booked acts on the college circuit, the original writer for collegehumor.com has also released six albums. Hofstetter has written humor columns for the New York Times, SportsIllustrated.com, and NHL.com, where he publicly admitted to being a Ranger fan.
After hosting Four Quotas on Sirius Satellite Radio for two seasons, Hofstetter moved to broadcast radio, and his Sports Minute (Or So) was syndicated on over 170 stations and in over 30 newspapers. Hofstetter's second live comedy album ("Cure For the Cable Guy") reached #20 on Billboard's comedy charts. His third album ("Dark Side of the Room") was the first ever pay-what-you-want" comedy album, since people were going to steal it anyway. His fourth album consisted of an hour of 100% ad-libbed material, which is, frankly, nuts. And his fifth album hit #1 on iTunes' comedy charts, which is also a bit nuts.
Hofstetter's brutal tour schedule consists of over 100 colleges and dozens of clubs every year, and is fueled by an immense online popularity, tons of press, and a Prius with great gas mileage. He reached 200,000 friends on Facebook (still the world record), 400,000 more on MySpace, and high shelves in grocery stores.
While Hofstetter's live shows are routinely sold out, he is best known for his writing, first published at age 15, mainly to impress girls. At 18, he co-founded "Sports Jerk of the Week", an irreverent website featured by press like USA Today's Baseball Weekly, Sports Illustrated and CNN. And at 20, Hofstetter took a year off of school to head up web content for the New York Yankees. The Yankees won the World Series that year, which would have been wonderful if they hadn't beaten Hofstetter's Mets. Yes, he's also a Mets fan. Poor kid.
While an undergraduate at Columbia University, Hofstetter was a well-read columnist for the Columbia Daily Spectator and a voice of the Lions. After a summer writing for Maxim, ESPN, and Sports Illustrated for Kids, Hofstetter syndicated his column in several newspapers.
Without his glasses, Hofstetter also looks a great deal like Michael Rappaport.
When Sarah Millican was a bairn, she wouldn’t say boo to a goose. Quiet at school, not many friends, no boobs til she was 16.
Now? NOW she is loud, with good friends, a cracking rack and goose booing all over the shop.
In Late Bloomer, Sarah’s brand-new stand-up show, she explores how one became the other.
Plus, lots of stuff about dinners and lady gardens. Come along, laugh at her, with her, beside her.
Welcome to the show, to the histo-remix....
SIX turns Tudor queens into pop princesses as 500 years of historical heartbreak becomes an hour of 21st century sass.
Jimmy’s brand new show contains jokes about all kinds of terrible things.
Terrible things that might have affected you or people you know and love.
But they’re just jokes - they are not the terrible things.
Having political correctness at a comedy show is like having health and safety at a rodeo.
Now you’ve been warned, buy a ticket.